Blondie’s song Call Me is one of the band’s most iconic hits, known for its edgy blend of rock and new wave styles. Released in January 1980, it became a major success worldwide, topping charts and earning acclaim for its infectious energy and catchy, rebellious vibe.
Call Me was written as the theme song for the 1980 film American Gigolo, directed by Paul Schrader. Italian disco producer Giorgio Moroder was originally tapped to write the song for Stevie Nicks, who ultimately declined. Moroder then approached Debbie Harry, Blondie’s frontwoman, to create the lyrics and vocal melody. Harry’s lyrics fit the tone of the film perfectly, with themes of independence and sexuality that mirrored her own public persona. The song was recorded by Blondie with Moroder as producer, giving it a unique style that blended Blondie’s rock and punk sensibilities with Moroder’s disco and electronic influences. The resulting sound was a high-energy fusion that epitomized the late 70s and early 80s music scene, especially in New York City.
Call Me stands out for its powerful instrumentation and fast tempo, characteristic of Moroder’s production style, which often featured driving beats and lush synth arrangements. Blondie’s punk-rock edge blends with a disco beat, making the song accessible across rock, new wave, and disco audiences. The guitar riffs, played by Blondie guitarist Chris Stein, are sharp and memorable, while Clem Burke’s drumming drives the rhythm with a relentless energy.
Call Me became Blondie’s biggest hit, reaching #1 on the Billboard Hot 100 and staying there for six weeks. It also topped charts in the UK, Canada, and several other countries. The single was certified Gold in the U.S. and became one of the best-selling singles of 1980. Critics and fans alike praised the song for its infectious energy and innovative production, and it became one of the year’s defining songs.
The song’s success was partly attributed to its association with American Gigolo, which was popular at the time of its release. However, it also achieved its own legacy independent of the film and was widely played on radio, becoming a staple of Blondie’s live performances.